![hamlet 1996 hamlet 1996](https://i.ebayimg.com/images/g/9lUAAOSwsHhfpZ9Z/s-l300.jpg)
![hamlet 1996 hamlet 1996](https://m.media-amazon.com/images/M/MV5BMTMyMjQ1MDEyNl5BMl5BanBnXkFtZTcwNTA4OTUwNA@@._V1_.jpg)
We are much removed from those times, and yet, this play, this singular achievement in theatre, still has the power to transcend mere entertainment, to fuse poetry and story, as well as the high and the low, and speak once again to a new audience twenty generations removed.Branagh himself is a wonderful Hamlet, perhaps a bit of a ham at times as I think was Shakespeare's intent, a prince who is the friend of itinerant players. He wrote for the popular audience of his time, a broad audience, it should be noted, that included kings and queens as well as knaves and beggars, and he reached them, one and all. Shakespeare did this unconsciously, we might say. And so first the playwright seeks to engage his audience, and only then, by happenstance and indirection, to inspire and to inform. A play is to divert, to entertain, to allow us to identify with others who trials and tribulations are so like our own. How they would have bemused and delighted an Elizabethan audience.Branagh's ambitious Hamlet is also one of the most accessible and entertaining, yet without the faintest hint of any dumbing down or abbreviation. Playwright who wrote with precious few stage directions-interpretation was left to the direction and the actors, an open invitation that Branagh rightly accepts.The use of flashback scenes of things implied, such as the amorous union of Ophelia and her Lord Hamlet abed, or of a vast expanse of snow darkened with distant soldiers to represent the threat of Fortinbras' army from without, and especially the vivid remembrance in the mind's eye of the new king's dastardly deed of murder most foul, helps us all to more keenly appreciate just what it is that torments Hamlet's soul.